tethered
For me as an artist, the story behind a piece is almost as important as the piece itself. This is the story of how this sycamore box came into being…
For me as an artist, the story behind a piece is almost as important as the piece itself. This is the story of how this sycamore box came into being…
For me as an artist, the story behind a piece is almost as important as the piece itself. This is the story of how this walnut box came into being…
The top for the table is a study in nature and nurture. The overall shape is that of a redbud leaf, which is one of the first things to turn green in the spring in Missouri (nature) and the crescent graphic that I created in the veneer is evocative of an embrace (nurture).
For me as an artist, the story behind a piece is almost as important as the piece itself. This is the story of how this mulberry box came into being…
For me as an artist, the story behind a piece is almost as important as the piece itself. This is the story of how this walnut box came into being…
For me as an artist, the story behind a piece is almost as important as the piece itself. This is the story of how this sycamore box came into being…
For me as an artist, the story behind a piece is almost as important as the piece itself. This is the story of how this mulberry box came into being…
This table is one in a series where I am exploring the relationship between repeated strong graphic shapes, negative space and the illusion of pieces hovering away from each other.
This table is one in a series where I am exploring the relationship between repeated strong graphic shapes, negative space and the illusion of pieces hovering away from each other.
This table is the latest in a series where I am exploring the relationship between repeated strong graphic shapes, negative space and the illusion of pieces hovering away from each other.